![]() ![]() Tour our photo gallery above of “Breaking Bad’s” 31 greatest episodes, and see if your favorite topped the list. Odenkirk, Banks and Esposito returned for the ongoing prequel series, “Better Call Saul,” while Paul reprised his role for the follow-up film “El Camino.” Among the other actors both Esposito and Banks earned supporting nominations, while Mark Margolis earned a guest acting bid as rival gang leader Hector Salamanca.Įven after its final episode aired, the show’s legacy continued with spinoffs and sequels. Cranston won four prizes in Best Drama Actor (2008, 2009, 20), while Paul took home three for Best Drama Supporting Actor (2010, 20) and Gunn reaped two in Best Drama Supporting Actress (20). Throughout its run, the show amassed 58 Emmy nominations and 16 wins, including two consecutive Best Drama Series victories for its split final season (20). Along the way, he hires “criminal” lawyer Saul Goodman (Bob Odenkirk), gets into business with cartel leader Gus Fring (Giancarlo Esposito) and partners up with hitman Mike Erhmantraut (Jonathan Banks), among other adventures. ![]() But things are never that simple, especially when your brother-in-law, Hank (Dean Norris), works for the DEA. With the help of former student Jesse Pinkman (Aaron Paul), Walt creates the perfect batch of crystal meth, selling the illegal drug to provide for his wife, Skyler (Anna Gunn), and kids after his death. Chips turns evil, “Breaking Bad” tells the story of Walter White (Bryan Cranston), a high school chemistry teacher who starts cooking meth when he’s diagnosed with terminal cancer. But how many of its 62 episodes rank among its best? Well, the real answer is all of them, but just for fun, let’s cut them in half and count down the 31 greatest, ranked worst to best.Ī sort of Mr. It’s rather fitting for a show that found its fanbase thanks to the streaming service, which allowed new viewers to binge-watch it from the beginning. Having wrapped up five seasons of his Emmy-winning AMC series, creator Vince Gilligan continues his story with the TV movie “El Camino,” now streaming on Netflix. Fullerton.Just when you thought it was over, “Breaking Bad” comes back for more. ![]() screenings tonight and Saturday at Facets Cinematheque, 1517 W. Note: Writer-director Erik Weigel will conduct Q&A sessions after the 7 and 9 p.m. At a time of life when everything is still tentative, there's insight in a film that doesn't force them into corners. ![]() The other two seem prepared to simply move away from, not toward, their lives until now - and that, too, is in keeping with the tone. At the end, one of the characters has a next destination in mind. This is the opposite of Queasy-Cam, and it makes sense that one of those thanked by the filmmakers in the credits is the contemplative Terrence Malick (another is Gus Van Sant, himself a master of uncertain journeys). The film is elegantly shot by Till Neumann in rarely seen 2.35:1 wide-screen, good for the big boat they're driving in and for the landscape they're driving through. In the way this confounds our road movie expectations, it becomes quietly absorbing. All three characters seem focusing mostly on themselves. We begin to wonder what ashes will be scattered: Only Matthew's, or perhaps the ashes of the false starts and undirected lives of the living? There are moments of self-discovery along the way, but not underlined with fraught dialogue or painfully intense acting. He only gradually sheds his funeral suit and tie, tends to lean forward thoughtfully, gives the impression of not saying a lot of things that he could. I first saw the gawky Leo Fitzpatrick in the breakthrough movie " Kids" (1995), which also introduced Rosario Dawson, and Chloe Sevigny, Justin Pierce and Jon Abrahams. We have no idea where he lives now, what he does, where he gets his money. Amy Hargreaves plays an older woman in a bar who smiles at Gray and ends up listening to his introspections, and no, she's not a hooker, she's lonely and nice. Wes Studi plays a self-employed man who repairs their car, invites them to dinner, has strong political opinions (not the ones you might expect) and contempt for Gray's cynicism. Road movies require colorful people along the way. They pound on, mile after mile, North Carolina to Mexico, one cheap motel after another, lots of cigarettes, desultory talk, honky-tonk bars, a fight, unhappy telephone calls. Nor do they spill the beans about their own lives. All three are reticent, revealing themselves in elliptical asides. What did Matthew really mean to them? The movie lacks the usual heart-spilling confessions. ![]()
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